主演: ArtúrSomlay,MiklósGábor,ZsuzsaBánki
导演: RadványiGéza
类型: 剧情 年份: 1948 地区: 其它
时间: 2024-12-16
简介: Somewhereintheremoteregion,thewarends.Inthemidstofruinedcitiesandhousesinthestreets,inruralhamlets,everywherewherepeoplestilllive,arechildrenwhohavelosttheirhomesandparents.Abandoned,hungry,andinrags,defenselessandhumiliated,theywanderthroughtheworld.Hungerdrivesthem.Littlestreamsoforphansmergeintoariverwhichrushesforwardandsubmergeseverythinginitspath.Thechildrendonotknowanyfeeling;theyknowonlytheworldoftheirenemies.Theyfight,steal,struggleforamouthfuloffood,andviolenceismerelyameanstogetit.AgangledbyCahounfindsarefugeinanabandonedcastleandencountersanoldcomposerwhohasvoluntarilyretiredintosolitudefromaworldofhatred,treason,andcrime.Howcantheyfindacommonground,howcantheybecomemutualfriends?Thecastlebecomestheirhidingplacebutpossiblyitwillalsobetheirfirsthomewhichtheymayorganizeandmustdefend.Butevenforthis,thepricewillbeveryhigh. Tothissimplestory,thejournalist,writer,poet,scriptwriter,moviedirector,andfilmtheoreticianBélaBalázsappliedmanyyearsofexperience.HeandthedirectorGézaRadványicreatedaworkwhichopenedanewpostwarchapterinHungarianfilm.Surprisingly,thisfilmhasnotlostanyofitsimpactovertheyears,especiallyonaprofoundphilosophicallevel.Thatistosay,itisnotmerelyamovieaboutwar;itisnotimportantinwhatlocationandinwhatperiodoftimeittakesplace.Itisastoryoutsideoftimeaboutthejoylessfateofchildrenwhopaydearlyforthecruelwargamesofadults. Atthetimeitwaspremiered,themoviewasenthusiasticallyreceivedbythecritics.Themainrolesweretakenbystreetwiseboysofachildren'sgroupwhocreatedtheirrolesimprovisationallyinclosecontactwithafewprofessionalactors,andinthechildren'sactingtheirownfreshexperienceofwar'sturmoilappearstobereflected.Atthesametime,theirperformancefitsadmirablyintothemosaicofaverycomplexmovielanguage.Balázs'sinfluencerevealeditself,aboveall,intheintroductorysequences:anairraidonanamusementpark,seeninamontageofdramaticsituationsevokingthelastspasmsofwar,where,undoubtedly,wediscerntheinfluenceofclassicalSovietcinematography.Shooting,theboy'sescape,thelocomotive'swheels,theshadowsofsoldierswithsubmachineguns,thesoundofawhistle—theimagesarelinkedtogetherinabruptsequencesinwhichvaryingshotsandexpressivesharpsoundsareemphasized.Aperfectlyplannedscreenplayavoidedallelementsofsentimentality,time-wornstereotypesofwrongedchildren,romanticismandcheapsimplification.Theauthorssucceededinbridgingtheperilousdramaticabyssofthemetamorphosisofachildren'scommunity.Theirtellingofthestory(thesceneofpillaging,theassaultonthecastle,etc)independentlyintroducedsomeneorealistelementswhich,atthattime,werebeingpropagatedinItalybyDeSica,Rossellini,andotherfilmartists.Therebukesofcontemporarycritics,whocalledattentionto"formalismforitsownsake"havebeenforgotten.ThemasterlyartofcameramanBarnabásHegyigivesvitalitytothepoeticimages.Hisangleshotsofthechildren,hiscompositionofscenesinthecastleinterior,arealivingdocumentofthetimes,andunderlinetheatmosphereandthecharactersoftheprotagonists.ThesuccessofthepicturewasalsoenhancedbythemusicalartofcomposerDénesBudaywho,intensesituations,insertedthethemeoftheMarseilaiseintothemovie'sstructure,asamotiveofcommunityunification,asanexpressionoffriendshipandthepossibilityofunderstanding. ValaholEuropabanisthefirstsignificantpostwarHungarianfilm.Itoriginatedinarelaxedatmosphere,repletewithjoyandeuphoria,anditincludestheseelementsinordertodemonstratethestrengthofhumanism,tolerance,andfriendship.Itrepresentsageneralcondemnationofwaranywhereintheworld,inanyform.
妮可·贝哈瑞,安德烈·霍兰,德汪达·怀斯,小罗伊·伍德,卡登斯·里斯,杰克·黑文,约书亚·布恩,希瓦尼·沙,西康·塞布罗,卡桑德拉·弗里曼,丽萨·卢卡斯,奥利维亚·达庞德,卡拉·帕特森,阿俊·古普塔
特丽·波洛,迪伦·沃尔什,吉米-林·辛格勒,艾尔·斯帕恩扎,德博拉·兰纳德,JonettaKaiser,约瑟夫·柯蒂斯·卡伦德,BryanArion,ElliTeresa
馆博,尾上真秀,真荣田乡敦,黑岛结菜,斋藤工,泷正则,一之濑亘,山野仁,赤堀雅秋,市村正亲,宇崎龙童,笹野高史,椎名桔平
신은경/尹熙锡
KeithRBeck,BriannaD'Ambra,EmmaRose
约翰·汉纳,埃米尔·赫斯基,艾迪·伊扎德,安东尼娅·托马斯,TommySteele
内详
:艾里尔·布隆兹/伊芙雷特·多/纳马·普雷斯/阿列克谢·谢列布里亚科夫/莎伦·亚历山大/
巴里·科尔宾,贝利·蔡斯,玛丽·贝丝·麦克多诺
张天其/步籽颖ZiyingBu/于荣光/杜玉明/梁焯满
阿里耶·坎波斯,MatthewPohlkamp,凯瑟琳·琼·泰勒
皮奥洛·帕斯奎尔,贝莉·马里亚诺,乔舒亚·加西亚,JuanKarlosLabajo,马里塞尔·索里亚诺